“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

The unborn child of Mamlakat is telling her story. She is 17, beautiful and vivacious, and dreaming secretly of becoming an actress. She lives with her father and brother in a small village in Central Asia. One night she is seduced by an actor from a travelling troupe, who poses as a friend of Tom Cruise, and gets her pregnant. She tries to abort, but her father and brother become determined to find the seducer, setting in motion a cascade of comic adventures.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
On March 31st, International Trans Day of Visibility, the trailer for Zola finally dropped with a brief cameo from a queer icon.
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.