Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Lucky poster

Lucky (2004)

Ever have one of those lifetimes where nothing seems to go right? Failing cartoon writer, Millard Mudd, has sunk deep into one. Living hermit-like and existing on a strict alcohol diet, Mudd's world has collapsed. But one day everything changes when a dog named Lucky enters his life. You see, what makes Lucky no ordinary dog is his ability to talk. And what makes Lucky invaluable is his ability to teach Mudd how to write again. But what makes Lucky dangerous is his ability to get inside Mudd's head and turn him into a serial killer.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Ever have one of those lifetimes where nothing seems to go right? Failing cartoon writer, Millard Mudd, has sunk deep into one. Living hermit-like and existing on a strict alcohol diet, Mudd's world has collapsed. But one day everything changes when a dog named Lucky enters his life. You see, what makes Lucky no ordinary dog is his ability to talk. And what makes Lucky invaluable is his ability to teach Mudd how to write again. But what makes Lucky dangerous is his ability to get inside Mudd's head and turn him into a serial killer.

Rating:R
Genre:Comedy, Fantasy, Horror
Directed By:Steve Cuden
Written By:Stephen Sustarsic
In Theaters:10/25/2004
Box Office:

Runtime:83 minutes
Studio:

Articles You May Like


'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso