
Lucille comes of age in the rebellious, sexually liberated 1970's. Determined to take advantage of the new freedom offered by The Pill, she explores and experiments with women and men, straight and gay, at home and abroad. Lucille is devoted to being a musician, but her sexual abandonment and haunting past threaten to destroy her. Teddy, a music producer, responds to her appeal for help. He insists that she behave like a professional, and he helps her put together a stronger band. She recruits sax player Hank the Hunk to her band, and they fall in love. Lucille is ready to have a baby, but Hank sits on the fence.
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.