'The Dinner Party' — MiamisFF Review
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.

Pushing the limits of the human race: that is what runners aspire to when they take to the Olympic 100-meter track every four years. But for Usain Bolt, the record holder for the distance with his explosive 9.58 seconds, to become the fastest sprinter in history, crossing the finish line at some 44 km/h, it took more than a century of technical refinement. From the early days of sprinting to Usain Bolt's records, directors Jean-Christophe Rosé and Benoît Heimermann trace the history of the 100 meters, the flagship event of the Olympic Games, and its champions.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
Who said Batman is the only hero to rock the black cape? This article will explore vampires as trans allegories and the femme fatale trope being remastered.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
This 2022 Netflix Film starring Rebel Wilson delivers when it comes to comedy, but leaves you wishing there was something more.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.