The Wedding Banquet (2025): A Window into Modern Day Queer Relationships
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.

The story is about a young girl named So Siu-siu. Siu-siu's mother had committed suicide when Siu-siu was young. Siu-siu is now being taken care of by her aunt (Diana PANG Dan) and her uncle (Elvis TSUI Kam-kong) who are owners of a brothel. One day, the officer Mang visits the brothel and catches a glimpse of Siu-siu. He becomes interested in her, however Siu-siu has no interest in Mang. Instead, she falls in love with another officer's nephew. Her aunt tries to break the relationship between Siu-siu and her 'Dream Lover'.
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs