We Are Pat (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

Lola meets Simon during a 24-hour dance marathon. While the competition is in full swing, they develop a complicity that distracts her from her goal. But one elimination follows another at a frantic pace and, out of breath, she decides to join forces with him for a dance that could well lead them to victory.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
Sam Levinson's latest film can't keep up with the excellence of its performances.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.