“Young Washington” is Imperialist Propaganda
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.

Tempress Vivian Marsh (Betty Bronseon) lures Tom Evans (Jack Mulhall) away from stenographer Connie Lee (Constance Cummings), the girl he really loves. Connie, on the rebound, has an affair with her married boss Yates (Jameson Thomas). Vivian, not content with her successful conquest of milquetoast Tony, decides to have a romantic liaison with Yates as well. Tony discovers her infidelity, gets a divorce, and returns to Connie, who is a bit less pure than when he abandoned her.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
A lot of us are emotionally impacted by the current pandemic. So, while we’re all stuck here in our homes, it’s great to put on a movie to ease the stress. With that, I made up a small list of some of my favorite feel-good movies.
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Happy Gilmore 2 is the perfect comedy to take you back to a simpler time