Animal Farm: Viva la Dystopia
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.

Tempress Vivian Marsh (Betty Bronseon) lures Tom Evans (Jack Mulhall) away from stenographer Connie Lee (Constance Cummings), the girl he really loves. Connie, on the rebound, has an affair with her married boss Yates (Jameson Thomas). Vivian, not content with her successful conquest of milquetoast Tony, decides to have a romantic liaison with Yates as well. Tony discovers her infidelity, gets a divorce, and returns to Connie, who is a bit less pure than when he abandoned her.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
The trainwreck is hot but tame.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.
This movie will always resonate with queer people, for as long as queer people exist.
This is not McDonald’s. This is something different.