Lovely Rivals 

I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.

Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.

Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.

Why did Māhū, a term once respected in Hawaiian culture, become so controversial?

Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.