Poverty and the Cycle of Violent Youth in 'City of God'
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.

Newly arrived in the nineteenth century court of Emperor Francis 1st of Austria Countess Valerie happens to overhear a young pianist and advises him to play with more feeling, for he is playing a piece by Franz Schubert, her favorite composer. Unknown to Valerie, the man is Schubert, and he playfully keeps his identity a secret. Valerie visits Franz the next day, and he teaches her to play the violin part of a new song he has written, and she hopes for romance though he still longs for his lost love Caroline. But as a week passes, he forgets Caroline and returns Valerie's affections. When Franz is evicted, there is much tumult, but he is finally called to court where his music is celebrated, and Valerie and he are reunited.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
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