"The World to Come": A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

Across the city of Cape Town, a sex-line operator, a dog handler and a computer technician begin to suspect that their romantic relationships are the subject of a bizarre conspiracy, involving their family, friends, and possibly even greater forces. 'Love the One You Love's parallel stories question the ideals we hold too sacred: love, happiness, and the New South Africa; the pursuit of which makes truth impossible.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Through three intricately crafted seasons of television, "Hannibal" has managed to make itself into the best incarnation of the self-titled work.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Like Stars on Earth is a representative movie that talks about dyslexia to young audiences and why it is important in today's generation.