The fifth film in the documentary series about the lives, hopes and dreams of three lively, working class Adelaide girls since they were fourteen in 1976.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
Have you ever wondered what it's like to work at the greatest arts and entertainment company? This documentary film gives us a look at the people who make the magic.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
