‘Monsoon’ : Hazy Memories of Home
After his family fled to England after the Vietnam War, Kit returns home to Saigon.

The groundbreaking Australian documentary on lesbians, presented by Anne Deveson, first broadcast in February 1966. Amongst those interviewed are Dawn O'Donnell (off camera at the beginning of the documentary) and psychiatrist Dr Neil McConaghy (the Australian 'expert' in aversion therapy). Some women are interviewed in shadow or close-up to disguise their identity. Women speak about being discriminated when applying for jobs against because of their sexuality. Dr Neil McConarghy is interviewed about his shock therapy work to change sexual orientation. Surprisingly Dr McConarghy says that homosexuality might be of benefit to society as creative traits or traits of non-conformity might give society as a whole the ability to survive.
After his family fled to England after the Vietnam War, Kit returns home to Saigon.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!