“Forbidden Fruits” (2026)
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.

32-year-old Seo Jung-wan is a free spirited woman, working as a photographer during the day and at night involved in an intimate relationship with a married man. Although she's in her mid 30's, she has no desire to marry.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
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These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.