In the last days of the pandemic, four young men from Mexico City set out on a trip to Monterrey to meet a talented singer-songwriter and uncover the secret of his success. Part travel log, part intimate portrait, what begins as a fun getaway turns into a chaotic descent into the fears, worries, and dreams of a group of men whose world isn't the one they imagined as children. And as they prepare for a leap that never comes, the four of them long to find answers everywhere… except in the present.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"
