"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

A country boy has grown up with his father and his auntie. He is always overprotective for his auntie. Whoever dares to flirt with Lin, he will chase them away, causing troubles for her auntie who dreams of having a good boyfriend.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.