A young and ambitious journalist has to lose herself to find love in the most unlikely of places. After traveling to a desert island in search of a mysterious hermit, all Nina can think of is her scoop and discovering what makes a man leave the rest of the world behind. But as a storm strikes, she finds herself immersed in a world of deceit, human vice and a fight for survival. Navigating the island wilderness, she soon realizes the real discovery is what she learns about herself, and the prize is true love.
The Forge is a moving story about a young man’s search for purpose. Through mentorship, discipline, and faith in God, his life is transformed from confusion into clarity, reminding us that true greatness is shaped in the fire of surrender and growth.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
This reboot of The Wonder Years is told from the lens of a Black man.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
