Underwhelming Presence
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.

A Japanese man called Sushi sets off travelling in a camper that is the same age as him, in southern Portugal. He is looking for a legendary spring that could cure his broken heart. On the road, the door of his vehicle opens onto many encounters. Stumbling along, the people he meets and the drinks he shares will help him find his way and question what love is.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
This movie will always resonate with queer people, for as long as queer people exist.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
This reboot of The Wonder Years is told from the lens of a Black man.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.