
Reaching 29,029 feet, Mount Everest has long captivated mountaineers of all stripes. But a peak that draws athletes and mountaineers to new heights isn’t without danger — or a dark side. Perhaps the peak’s greatest mystery is the missing body of Andrew “Sandy” Irvine who disappeared alongside George Leigh Mallory in 1924 just 800 vertical feet from the summit. In Lost on Everest, we follow along as a team of elite climbers with new intel on the location of his missing body set out to solve what may be mountaineering’s great mystery. Along with the body, the team hopes to find Irvine’s camera and the footage that could rewrite history.
The power of a talented female director like Patty Jenkins and an overall diverse cast is what makes this film worth watching for me.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Korean Dramas deserve your attention and not just the ones on Netflix.
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.