"Elio" and What Could Have Been
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.

Vidal (Darín) is about to be bankrupt, so he sets up a fake car robbery with a small-time mobster to collect insurance and split the money. But his perfect plan becomes entangled by his increasingly dangerous ties to the mob and the meddling of a rogue insurance investigator (Pinti), who eventually strikes a deal with Vidal and decides to team up with him and his wife (Papaleo) to bring down the mob and expose the corruption that links a high-ranking executive to the mafia.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.