"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Spain 2012. As many other people of their generation, Ana and Iván are going to buy a new flat in the suburbs of the city, which is still under construction. They go there with Ana’s parents in order to know their opinion before buying it. Despite of all the dreams set on this new stage of their lives, Ana doubts if this is really the life she wants. Will she be brave enough to run away or will she have to accept her fate of "correction and normality"?
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.