Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Léopold Survage's Colored Rhythm poster

Léopold Survage's Colored Rhythm (2005)

Bruce Checefsky's film attempts to realize the central conceit of Léopold Survage's series Rythme coloré (1913), setting the painter's unfulfilled idea into motion.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Bruce Checefsky's film attempts to realize the central conceit of Léopold Survage's series Rythme coloré (1913), setting the painter's unfulfilled idea into motion.

Rating:
Genre:Animation
Directed By:Bruce Checefsky
Written By:
In Theaters:1/1/2005
Box Office:

Runtime:3 minutes
Studio:

Articles You May Like


Indie Film Review “Good Side of Bad” Mental health issues, coping with them, and the necessary awareness to help those affected once more takes center stage with relentless intensity and purpose

The shattering of what we strive to maintain as reality. It is certainly truthful to state that most, if not all, of us have experienced moments of genuine mental stress. Regardless of what might be the cause, the sheer unsettledness, the pressure that weighs upon us is a tangible force that CAN seem insurmountable. However, more often than not, this is only a temporary , one we can come through and simply move on from.

Kirk Fernwood

In Apex, Womanhood Is More Dangerous Than the Wilderness

Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space. 

Jo Moses