Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Loot poster

Loot (1919)

Wade Hildreth is sent to New York from London to receive a diamond necklace for Lady Gwendolyn from the jeweler Arabin. A gang of crooks led by Pete Fielding, known as "The Shadow," plans to keep Hildreth from going to Arabin's until they have robbed the store. Actress Morn Light, whom the Shadow loves, agrees to entice Hildreth to her apartment to be imprisoned. When she warns Hildreth because she wants to avenge her father's death, which was caused by the Shadow, the Shadow overhears and captures them both.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Wade Hildreth is sent to New York from London to receive a diamond necklace for Lady Gwendolyn from the jeweler Arabin. A gang of crooks led by Pete Fielding, known as "The Shadow," plans to keep Hildreth from going to Arabin's until they have robbed the store. Actress Morn Light, whom the Shadow loves, agrees to entice Hildreth to her apartment to be imprisoned. When she warns Hildreth because she wants to avenge her father's death, which was caused by the Shadow, the Shadow overhears and captures them both.

Rating:NR
Genre:Crime, Drama
Directed By:William C. Dowlan
Written By:Violet Clark
In Theaters:10/6/1919
Box Office:

Runtime:60 minutes
Studio:Universal Film Manufacturing Company

Articles You May Like


"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

Kirk Fernwood