A lone man walks the streets of New York City and gets lost amidst other pedestrians and confusing directions. The city noise, a piano solo, a Buddhist poem and an old jazz tune enhance his search and lead his footsteps through the city that never sleeps. Part three of a trilogy.
During the third act, the momentum stalls, largely due to the film’s obsession with Kubrick’s visual design. But all in all, Doctor Sleep is a cinematic success, defined by rich characters and high powered emotion.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
This short film was an overall creative success.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.
