Looking For My Anchor follows filmmaker Erica Jordan as she navigates her journey through grief after the loss of her mother, eviction from her home, the end of a long-term relationship, and her son leaving for college. Living aboard a small boat in a working-class maritime community on the edge of Marin county, she uses personal video journals and home movies to revisit moments of motherhood, loss, and longing, while confronting the uncertainty of life on the water. Her story intersects with the lives of three people living anchored out on the San Francisco Bay – the wise, self-described “anchor outlaw” battling health issues while struggling to maintain his boat; the young advocate fighting to save her community from displacement; and the artist whose untimely death underscores the fragility of their existence.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
This Halloween movie is a remake of the 2003 movie of the same name with Black representation.
Canvas illustrates the story of a grandfather who, after suffering the loss of his beloved, struggles to reclaim his love for painting.
"There is something going on between us that I cannot unravel."
