have fatally hit pedestrians and the relatives of those victims. The story follows these drivers as they take part in a support workshop intended to help them cope with guilt, remorse, and the psychological aftermath of the accidents. Through these intense and often painful meetings, the film explores themes of responsibility, grief, forgiveness, and the struggle to rebuild a meaningful life despite tragic consequences.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Hulu continues its Summer releases with The Princess. This film follows the princess (yes, she is unnamed) as she attempts to escape her tower, refusing to be wed to a cruel man vying for the throne. Action-packed and snarky, this is a decently fun film if you need a fighting fix.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
