Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

An evocation of work and the frantic activity of factories through the contrast provide by images of desolation, ruin, and abandonment. Among these, the human figure, represented by a completely motionless Marcello Miranda, appears as a triviality incapable of combating the relentless devastation of time and progress.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
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