‘The Devil All The Time’ is Gritty and Bleak
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.

By the time director Katja Raganelli arrived in California to make a film about Dorothy Arzner in 1980, Arzner had passed away in a car accident. Nonetheless, Raganelli visited Arzner’s desert home and retraced the pioneering filmmaker’s career in this documentary, using Arzner’s trove of photographs, as well as interviews with her leading lady Esther Ralston, to create this nuanced portrait of a woman who bucked every norm and defied societal expectation.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
In this short film, writer/director Nikita Hattangady focuses on Jai, a starving artist rooted in the latter category. Though unhoused, he works hard.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.