"Elio" and What Could Have Been
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.

With his job in the balance, Gérard bets his boss that he can transform bad-tempered street person Lola into television star material. With the inducement of stardom as his lure, he takes Lola in hand and becomes her instructor, sending her to ballet and acting classes, where she misbehaves. Most of her petulance is reserved for Gérard, however, but in the tradition of Pretty Woman and My Fair Lady, in the end he gets the girl and a new star -- in the same package.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
New horror film "Pretty" is good to look at thanks to 19-year-old director Metecan Duren.