
A woman in her forties takes stock of her past years. She has led a full life, with lots of outings with her friends. She has certainly not had time to be bored and has built the life that suits her. Professionally, she has an interesting job and her friends find her beautiful and funny. The only shadow in this almost idyllic picture is the absence of a child. Unfortunately, she has not yet found the rare pearl who would be a perfect father for her descendants. Determined to remedy the situation, she sets out to find the ideal man. Several male representatives are on the starting line.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
This groundbreaking summer blockbuster proves that diversity enhances the action genre.
Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.