
Emre, a man in his early thirties, is moving out of his apartment. His girlfriend Defne talks to him, conjuring up images and uncovering traces of the bittersweet memories of their relationship. With the help of some friends, Emre collects his belongings and says goodbye to the neighbourhood where he was happy. But is he ready to say farewell to his home?
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.