Lizzie (2018)

The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.

Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.

Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?

I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.

Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.