The Bizarre World of PN & Friends Episode 30: Reboot
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.

"Living the American Nightmare" is telling the story of all struggling artists who hit middle age before hitting it big. The main focus of this story of heartbreak & disillusionment is Myke Hideous, a singer/songwriter/artist from New Jersey who struggles to create despite numerous pitfalls in his career. Myke made his bones in the gothic rock band, the Empire Hideous. His project was littered with money trouble and line-up changes it's entire existence. The height of Myke's career came when he was asked to join the reunited horror punk pioneers, the Misfits.
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.