
A group of visionaries and students return to the abandoned Milan Expo, to reimagine the site as a global village.
A dynamic journey of self-acceptance and identity.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Who said Batman is the only hero to rock the black cape? This article will explore vampires as trans allegories and the femme fatale trope being remastered.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.