A film about the painter Edvard Munch and his life and works. The film is based upon important events in Munch's life and attempts to capture the painters diversity and dilemma, to find connections between the events of his childhood and youth, his art and his adult life. The film follows in his footsteps from childhood to old age.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
As a frequent “the book was better” extoller, this movie was well worth the watch.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
