Extreme Quarantine: “The Last Days” Shows Us How Much Worse It Could Be
Rather than focusing on the bleak, cynical aspects of life post-pandemic, the focus is optimistic and hopeful.

Under the studio lights, novice AV actress Megu steps onto the set for her very first lead role—heart pounding, pulse racing, body flaming. Director Okita hovers close, offering meticulous guidance on every breath, every sigh… yet Megu’s inexperience with men leaves her trembling with doubt. As the shoot drags on, Okita’s phone buzzes with a chilling call from his wife Kaori, demanding a divorce—yet he coldly brushes her off, insisting this is no time for personal distractions. With the camera rolling on Megu’s intense masturbation scene, Okita’s mind drifts to memories of sex he had with his lover Natsuko, heat flaring as he recalls every scandalous detail. Finally, the crazy masturbation scene wraps up, and Megu joins the male performer in a hot sex break. Patiently, Okita coaches her through the art of giving a satisfying blowjob—showing her the gentle curve of technique, the soft rhythm of giving—until Megu’s cheeks flush and her confidence ignites like a blazing fire…
Rather than focusing on the bleak, cynical aspects of life post-pandemic, the focus is optimistic and hopeful.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
A young girl who is determined to sail the ocean within 210 days at sea brings an adventurous story for viewers.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch