In the near future. Many things are like today, one thing isn't: The number of terror attacks has increased so rapidly that any gathering in public is prohibited. Any form of culture and most of human interaction is mediated by an electronic device. The psychologist Claire decides to break the isolation and plans a secret concert with her brother Aurel, a famous trumpet player who has performed concerts in front of virtual audiences only for years. Supported by the hackers Ada and Maximus, their plan seems to succeed. Things go well. Until something else starts to go deeply wrong.
Disney remakes have often gotten a bad rap for their consistent reliance on the originals and overuse of CGI. However, Mulan is a remake that is able to transcend beyond Disney's other remakes with a confident and bold earnestness.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
This movie will always resonate with queer people, for as long as queer people exist.
