Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

Xiao Pang is a mischievous young boy. To the chagrin of his parents, he has no interest in studying and is always eating. His mother arranges extra tuition classes for him to try to whip him into shape, but the stress leaves him despondent and depressed instead. At the end of their wits, his parents promise him a mobile phone if he does well in his exams. He works hard and earns the phone, but a new problem then crops up: phone addiction. Xiao Pang`s parents call renowned child psychologist Dr Ke for help, but as they are about to leave for their appointment, they realise that Xiao Pang has gone missing.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!
An indie production of a romantic drama with a country-western feel meant to explore lost love.