The Burden of History and the Phenomenal Women of “Miss Juneteenth”
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.

Born in Abkhazia and raised in Soviet Georgia, Sipa Labakhua had to flee with his family to Moscow when the USSR collapsed and war broke out early 90’s. Years after his untimely return to his warridden birthplace, Sipa takes to the road with his autobiographical one-man marionette show. While provoking audiences with his own history of displacement and war, he collects the personal memories and dreams of people from different backgrounds: Abkhazian nationalists, Orthodox priests, Syrian refugees, Georgian farmers and Russian hippies.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
“There’s always something you can do…to make people feel like they’re welcome”
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.