What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

GUNTUR (12 years) has the ambition to win a handicraft competition at his school. When he starts working on his creation, Guntur encounters many obstacles which result in his action figure not being completed. Will Guntur be able to finish his action figure creation on time?
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Digger is a smart film, one that takes what could have been a “seen it before” message and gives it new life.