Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A feisty little girl, the daughter of a beat cop, faces the challenges of growing up in a tough city neighborhood.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.
Marvel’s animated show What If...? ended last week, so let’s go back and look at all of the different universes shown and rank each episode from worst to best!
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.
Earth and Blood is slow, but it still has it’s entertaining moments. If you’re into thrillers, or want to watch something new, then this film might be for you. As for me, Earth and Blood was tolerable enough.