Review: 'Dashing in December' Exceeds Admittedly Low Expectations
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.

Traversing through Sydney’s music scene is Liam Whelan, and it is clear that he has a strong passion for performing. However the audience sharing this same passion and enthusiasm for live music is never guaranteed, and the monetary incentive can often times be very low. It can also be disheartening to have to perform cover songs to keep the audience's attention when you have a range of your own music that you would also like to perform. But does this affect him enough to stop doing what he loves? Is the pursuit to be creative and write and perform music worth it when the rewards can be so small? Do the high points of sharing music with a passionate audience outweigh the lows of performing to a pub of disinterested patrons?
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
A thief and street dog named Roger has to work with other pets to take down the evil Mayor Frank Stone when he plans to destroy Robo City.
Of all the many great people that have contributed to Hip-Hop and radio, I was fortunate enough to speak with James Rosseau, founder of The Corelink Solution, a nonprofit that owns and operates Holy Culture Radio.
This groundbreaking summer blockbuster proves that diversity enhances the action genre.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.