“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

When self-made businessman Pancras Duif decides to marry his much younger housekeeper, his entire family protests; eager to protect the family capital, sons Henk, Jan and Toon enlist a psychiatrist for help. The film is considered lost.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Horse racing is a very difficult sport and challenge, especially for a young woman like Michelle Payne.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
Religion, race and generations collide in this romantic comedy starring Jonah Hill