Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

Lignes chronicles the sublime interplay between alpine literature and an expedition seeking the true meaning of mountaineering. Four high-mountain guides—Matthieu Maynadier, Pierre Labbre, Matthieu Détrie, and Julien Dusserre—embark on a project: to summit Nangpai-Gosum, an unclimbed 7,000-meter peak in Nepal, using the "alpine style" adapted to the Himalayas—the toughest and purest approach of all. Through this expedition, Lignes attempts to answer the question: "Why do we climb mountains?" Why, despite the harsh conditions and exhaustion, do these four Alpine guides pursue a perilous dream in a realm that belongs to no one? Lignes finds some answers in the past, drawing on 150 years of alpine literature. Serving as both narrator and seasoned guide, Raymond Renaud takes us on a tour of his books and speaks of the "conquerors of the useless"—from the turn of the century to the present day.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
A young boy who runs away from home discovers friendship when he befriends a young dragon in this animated movie.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.