
LINDSEY VONN: THE CLIMB documents Vonn's journey as she recovered from two devastating injuries. She returned to the top of the podium at a 2014 World Cup downhill race in Alberta, Canada, a critical milestone as she pursues more victories at the upcoming 2015 World Championships, in her hometown of Vail.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.