It's hard not to prick up your ears when Linda P shares her life story. She has been a slut, tried to distinguish between Linda Petersen and Linda P, suffered from headaches, and given up her wild lifestyle to become "normal" and a so-called "model citizen." BUT... is it really that easy to stay on track and live a quiet life without causing trouble? Has Linda been able to avoid messing up her closest relationships? And what about love? Is it even possible to be in a relationship when you are born a wild child? Look forward to Linda P's fifth one-woman show, where she once again shares herself and her frustrations about her ingrained "fuck-up gene."
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.
The character of Mulan is one of Disney’s best heroines. She’s brave, kicks butt, and has a kill count. What other Disney character has killed hundreds of Huns by crushing them with an avalanche? No one.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
