
When Michael Dvorak leaves his native Germany in 1990 to immigrate to the United States, he embarks on an odyssey of self-discovery. Trying to find a job in a recession-plagued economy proves to be the least of his worries. Apprehensive about his attraction to his best friend and roommate, Steve, Michael seeks refuge from his confusion in the arms of beautiful Julia Hencock, a model with a dubious part-time job-and an even more obscure past. Julia has her own problems. Her precarious romance with Michael soon turns into a balancing act: she must satisfy both a boyfriend-whose true sexual proclivities she suspects-as well as her nightly clients, while evading a killer who knows that her testimony could land him in the electric chair. And, sensing Steve's jealousy of her attachment to Michael, she fears that Steve might betray her ultimate secret. Both Michael and Julia must eventually conquer their respective demons.
Seeing that the film was essentially his first big, mainstream feature, and with garnering a leading role — portraying the revolutionary ball-player Jackie Robinson — Boseman, without question, delivered a performance that is still so incredibly moving, respectful, genuine, and true to the core of his obviously sincere, artistic heart; and with that, it is indeed so saddening to see him pass.
If you enjoy the bizarre, silly and entertaining world of the horror B-movies and want a break from the nuanced and poignant big budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October.
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
For many people, Disney+’s debut show, The Mandalorian, was a breath of fresh air for the Star Wars universe. The Disney Gallery shows audiences how that show came to be.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.