Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

Lily Covington, a Manhattan housekeeper, embarks on a trip to the rural Alabama town of her youth. To Lily's surprise, her employer's nine-year-old son Michael stows away for the ride. Together, Lily and Michael realize just how alike and how different their worlds really are. Michael explores a way of life he never knew existed, while Lily discovers some tender truths about the family she left behind.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
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