The 100: Highlighting Humanity’s Successes and Failures in Overcoming Hateful Rhetoric
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
The promotional posters for Disney’s upcoming live-action Lilo & Stitch have sparked more than just excitement for the film’s release—they’ve reignited an important conversation about visibility, representation, and how the studio handles diversity in the aftermath of online backlash to past live-action remakes.
One glaring issue fans have noted: in several posters and marketing materials, the face of the young actress (Maia Kealoha) playing Lilo is conspicuously cropped out or simply missing. It’s a striking absence for a film that centers on her story, especially considering that Lilo is not only the main character and emotional heart of the story but also a rare portrayal of a young, dark-skinned Native Hawaiian girl in mainstream media.
The move feels cautious to a fault—almost as if Disney is attempting to shield both the young actress and itself from the same wave of online vitriol that Halle Bailey faced as Ariel in The Little Mermaid, or the preemptive and consistent outrage that met Snow White’s modern reimagining played by Rachel Zegler. Instead of standing behind their casting choice with confidence and pride, the decision to obscure the child’s face can read as a retreat. It inadvertently suggests a lack of confidence in the very diversity Disney claims to champion.
Director Dean Fleischer Camp’s Disney remake ofLilo & Stitchfaithfully follows the original 2002 animated storyline: a lonely little Hawaiian girl and her new mischievous alien friend form a bond that heals both of their hearts, as well as ours. This live action version adds emotional nuances—notably in the sisters’ dynamic—while preserving the charm of the original.
The wildly funny and touching story of a lonely Hawaiian girl and the fugitive alien who helps to mend her broken family.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.