Laban is not like other ghosts, he is afraid of the dark. Laban wants nothing more than to be scary, but no matter how hard he tries, he only manages to scare himself. In the basement of the castle Gomorronsol, Laban lives with his mother and father Spöke and his daring little sister Labolina, who can imitate all the sounds in the world. The castle also houses people: the king and queen, as well as Princess Busan and little prince Bus, who are Laban's very best friends.
Lasse Persson
Director
Orlando Wahlsteen
Prince Mischief (voice)
Silas Strand
Laban (voice)
Alicia Sterneborn
Princess Mischeif (voice)
Rickard Söderberg
Daddy Ghost (voice)
Adam Risberg
The Queen (voice)
Pytte Ravn
The Monster (voice) / Rufus (voice) / The Owl (voice)
Lasse Persson
The Thief (voice) / The Rat (voice)
Lisette Pagler
Mommy Ghost (voice)
Emma Molin
Storyteller (voice)
Louise Epstein
Radioperson (voice)
Esmé Beckman
Labolina (voice)
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
The Super Mario Galaxy Movie comes on the heels of its billion-dollar grossing predecessor, and seeks to do absolutely nothing other than repeat its success. In this, the film is eminently effective. If you have seen the previous film, you can expect something extremely similar in this package. That is, a barrage of references to Nintendo intellectual property wrapped in a plot that provides the thinnest layer of emotional payoff for the characters.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
Looking for some Afro-centric entertainment? Check out these movies and immerse yourself in Black culture.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.