1952: Bishop Bilodeau visits a prison to hear the confession of Simon, a boyhood friend jailed for murder 40 years ago. However, once there, Bilodeau finds himself forced to watch a play put on by Simon and the other inmates depicting the two men's youths. As the play progresses, the tragic truth of Simon's crime comes to light.
John Greyson
Director
Brent Carver
Countess De Tilly
Marcel Sabourin
The Bishop
Aubert Pallascio
Older Simon
Jason Cadieux
Young Simon
Matthew Ferguson
Young Bilodeau
Danny Gilmore
Vallier
Ian D. Clark
Chaplain / Father Saint Michel
Gary Farmer
Timothée
Robert Lalonde
The Baron
Rémy Girard
The Baroness
Alexander Chapman
Lydie-Anne
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
Seeing that the film was essentially his first big, mainstream feature, and with garnering a leading role — portraying the revolutionary ball-player Jackie Robinson — Boseman, without question, delivered a performance that is still so incredibly moving, respectful, genuine, and true to the core of his obviously sincere, artistic heart; and with that, it is indeed so saddening to see him pass.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.